SKU: 47502106339

BURNT BY THE SUN – PERFECT IS THE ENEMY OF THE GOOD (FLUORESCENT YELLOW MARBLE VINYL) - LP •

Sale price$20.69 Regular price$22.99
Save 10%

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 12 - Jul 17

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

BURNT BY THE SUN – PERFECT IS THE ENEMY OF THE GOOD (FLUORESCENT YELLOW MARBLE VINYL) - LP •UPC: 781676566914 Label: RELAPSE Format: LP Release Date: June 5, 2026 In stock items ship within 48 hours BURNT BY THE SUN formed in November 99 by longtime friends David Witte (DISCORDANCE AXIS, ex HUMAN REMAINS) and John Adubato. The duo began piecing material together and soon after invited former ENDEAVOR vocalist Mike Olender to front the group. Bassist Ted Patterson (who had played with Witte in HUMAN REMAINS) and a second guitarist joined in

UPC: 781676566914
Label: RELAPSE
Format: LP
Release Date: June 5, 2026
In stock items ship within 48 hours

BURNT BY THE SUN formed in November ’99 by longtime friends David Witte (DISCORDANCE AXIS, ex-HUMAN REMAINS) and John Adubato. The duo began piecing material together and soon after invited former ENDEAVOR vocalist Mike Olender to front the group. Bassist Ted Patterson (who had played with Witte in HUMAN REMAINS) and a second guitarist joined in February. “We were tired of being let down by buying records that failed to deliver what they promised so we set out create something to our standards that we would want to hear from a band,” said drummer Witte. No sooner had the band expanded to a quintet than it polished up its first half-dozen songs and made its live debut on the Relapse Stage at 2000’s March Metal Meltdown. BURNT BY THE SUN made its unique and formidable presence felt immediately. Relapse was quick to respond. The band entered Sweetwood Sound Studios in May with DALEK’s Alap Momin (THE VAN PELT, RYE COALITION) at the production helm to cut the first seven songs they’d written. Three of those tracks (ironically enough the first three songs written) became half of a split CD EP with fellow Jersey grind-troupe LUDDITE CLONE, while an early version of the devastating “You Will Move” was contributed to CONTAMINATED 3.0, the Relapse 10th Anniversary compilation. BURNT BY THE SUN spent the next several months honing their material and live show with a series of jaw-dropping performances. Attendees to NYC’s Loud Az Fuck fest, Milwaukee Metal fest, the Northeast leg of the Contamination 2000 Tour as well as numerous weekend excursions through the Northeast witnessed the band’s increasingly devastating live performances. Word was quick to spread. The band spent a bit of additional time at Sweetwood in the early fall re-working the remaining tracks. Those tracks would form their Relapse debut. That self-titled CD EP featured the band’s cerebral, yet visceral futuristic quasi-metal/hardcore hybrid. Songs such as “Buffy” and “You Will Move” are equal parts guitar skronk and frenetic fret board gymnastics, vocal savagery and superhuman drumming. The band’s compositions were meticulously dynamic, paying as much attention to deft nuance and fluid transition as much as being high velocity displays of brute force. The end result was a relentless fusion of post-everything virtuosity that left behind the charred remains of convention and sterility with a scorched earth policy of progression, aggression and perpetual motion. As different as the band is musically, their unique lyrical approach is miles apart from the standards (or lack thereof) set by may of their peers. “Singing tales of hell may very well go with the heaviness of the music, but songs about issues happening in the world around us are more moving because they are what makes the world turn. People go to wars over these issues and to think politics has no place in music is dismissive because it ignores so much,” says vocalist/lyricist Mike Olender. “The point behind the song titles is to illustrate that BURNT BY THE SUN doesn’t take itself too seriously however,” Olender continues. “There are too many people out there that wear their politics or beliefs in such a fashion that it prevents other aspects of their humanity from being exposed. What is important is to me is keeping life in perspective; keeping a sense of humor and humanity in check with who I am as a human being.” Immediately after the release of the CD-EP the band added a new second guitarist in Chris Rascio (ex-TIMES UP) without missing a beat on the live front. “Soundtrack to the Personal Revolution,” the quintet’s first full-length, was recorded with producer/engineer Matt Bayles (PEARL JAME, SCREAMING TREES, BOTCH, ISIS, etc.) at Trax East Studios. BURNT BY THE SUN developed its signature, frenzied-style into an incisive and efficient burst of sound punctuated by profound guitar precision, striking hooks, and a deft rhythm section. “Soundtrack to the Personal Revolution” was a detailed study in the forward motion of intelligent heavy music. As one of the most revered new acts in modern heavy music, BURNT BY THE SUN administer a deft fusion of artistry and ferocity on its much anticipated new full-length, “The Perfect is the Enemy of the Good.” With a sleek combination of metallic hardcore, post-punk pummel, artful arrangements and raw, unrelenting power, BURNT BY THE SUN trailblaze heretofore unexplored musical paths. Blending astounding dexterity, a scorching attack and another brilliant production from Matt Bayles (ISIS, VENDETTA RED, MASTODON, BLOOD BROTHERS) BURNT BY THE SUN continues heavy music’s ongoing evolution.

TRACK LIST:

1. Abril Los Ojos 01:24
2. Washington Tube Steak 02:58
3. Battleship 03:38
4. Forlani 02:39
5. 180 Proof 03:48
6. Symbol 1 00:40
7. Arrival Of Niburu 01:52
8. Patient 957 02:01
9. 2012 03:05
10. Symbol 2 00:47
11. Spinner Dunn 03:31
12. Pentagons & Pentagrams 02:18
13. Rev 101 03:37

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 47502106339

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.0 ★★★★★
Based on 790 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
J
Verified Purchase
jdee28
West Palm Beach, US
★★★★★ 5
Excellent treatment of a narrow subject: how society shaped the church
Format: Paperback
This book is not a comprehensive overview of the church from 700-1500, nor is it a narrative treatment or an introduction. This book is highly selective, focusing on one central theme. Its strengths are in its organization and in the examples it gives to illustrate its theme. These examples are concrete, vivid and use quotations from original documents to excellent effect. The theme of the book is how society shaped the church. Southern examines the main institutions of the church -- the papacy, bishops, religious orders and fringe orders -- and shows how the needs and interests of society molded each. Perhaps having written on 1000-1200 in other books, for me, the strongest insights Southern makes here are on the periods 750-1000 and 1200-1500. Insights that particularly struck me: the importance of magic from 750-1000; the evolution of bishops, from supporting local rulers to supporting the pope; the importance of the Augustinian canons in the twelfth century, seeing them as one end of a pole, with the Cistercians on the other end and the Benedictines in the middle; the role of Franciscans and Dominicans in supporting scholars in the thirteenth century; and the fringe orders -- the book has one of the best treatments of the Brethren of the Common Life from the fourteenth century that I have come across. The book is highly selective. There is no treatment in this book on intellectual life (the "new learning") or artistic life, nor is there much on the heresies of the period or popular religion (the "new piety"). What the book does select to treat, it does so in a deep, highly readable, substantial way. One will definitely come away with how the demands of society molded the church. Highly recommended!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 24, 2021
L
Verified Purchase
Ludwig
Phoenix, US
★★★★★ 4
Wonderful book, but not a general reference on the subject & period
Format: Paperback
Southern's powerful study of the organizational and administrative structures of the medieval church is a wonderful antidote for the popular view of the Middle Ages as a long period of almost continual chaos between the Fall of the Roman Empire and the Renaissance (i.e. the "Dark Ages"). Southern does a fantastically good job of explaining and illustrating the central truth of the Church in the Middle Ages, i.e. that the Church was identical with society to an extent that had never been true before and has never been true since. That said, Southern's disciplined approach is often too much of a good thing and there are a number of topics which one would expect to take pride of place in a typical narrative history of the subject and period that Southern touches on only obliquely and insofar as they are relevant to his primary topic: those neglected stories include the long papal/imperial struggle (Guelps & Ghibellines), the Crusades, the Black Death, etc.. Southern also has a puzzling and sometimes maddening tendency to couch the discussion in terms of implications, roles and epithets instead of being explicit and just naming names. E.g. in the context of the discussion of the fall of Constantinople, Mehmed II is mentioned äs "the conqueror", but not by name; that a pope visited Constantinople in 710 for the first time and last time in premodern history is noted, but the pope is not named (it was Constantine); some of consequences of the "Donation of Constantine" are implied fairly early in the book, but it is not explitly named (and then, to add to the reader's irritation, discussed later as if the topic had already been explitly introduced). These are all characteristic slips of an expert used to addressing other experts in his field attempting in this instance to write a more or less introductory text. They are understandable slips, but they take their toll. The book is generally excellent & well worth reading and it is hard to imagine a better introduction to the topics it does cover, but unfortunately, and unlike Chadwick's initial volume in this series, it does not serve well as a general reference on the history of the Medieval Church.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2010
W
Verified Purchase
W. Taylor
San Leandro, US
★★★★★ 5
Concise
Format: Paperback
I recently discovered how little I know about my own faith. This book is the second in a series of Penguin books on the history of the church. The author does an excellent job of providing an overview of the social setting of the middle ages and how the papacy, the East-West schism and the religious orders developed during this time period. I recommend this book to anyone who wants to understand more about how we got to where we are.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2010
A
Verified Purchase
Amazon Customer
Belleville, US
★★★★★ 3
Three Stars
Format: Paperback
a little hard to follow
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 2, 2015
T
Verified Purchase
The Glide
Boise, US
★★★★★ 5
Sad to say Christians killed "infidels" too
Format: Paperback
A real eye-opener! Christians were killing "infidels" in the middle ages and the infidels were other Christians, Jews and Muslims.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2016

recommand products