SKU: 24755560078

GREEN FRATELLI FANCIULLACCI DECANTER WITH STOPPER

Sale price$161.10 Regular price$179.00
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Description

GREEN FRATELLI FANCIULLACCI DECANTER WITH STOPPERA bright green, pop era decanter and stopper with a latticework skirt of thick, white and butterscotch icing from the Bros. Fanciullacci of Florence. Its long, slender neck rises from an ample bell shaped reservoir to be topped with an egg shaped stopper that fits loosely in the opening. Were frankly not sure whether the attached cork is intended to fit so looselyor if it has shrunk over the years. Either way, it could easily be replaced if a tighter

A bright green, pop-era decanter and stopper with a latticework skirt of thick, white-and-butterscotch “icing” from the Bros. Fanciullacci of Florence. Its long, slender neck rises from an ample bell-shaped reservoir to be topped with an egg-shaped stopper that fits loosely in the opening. We’re frankly not sure whether the attached cork is intended to fit so loosely—or if it has shrunk over the years. Either way, it could easily be replaced if a tighter fit were preferred.


FRATELLI FANCIULLACCI was born of a family whose roots in Italian ceramics date to the 1700s. The Fanciullaccis had collaborated with the Richard-Ginori porcelain company in Sesto Fiorentino (a municipality of Florence) since its 1737 founding. They were so invested in the concern that when its founder, Carlo Ginori, died in 1757, they attempted to wrest control from his son Lorenzo. Carlo’s widow, Mariana Garzoni Venturi, thwarted the coup and acted as interim manager until the minor Lorenzo came of age.

The most artistically important Fanciullacci at Ginori during the 18th and early 19th centuries was arguably Giovanni Battista Fanciullacci. He joined the company as a miniaturist and porcelain painter in 1759 and rose to head the painting department in 1772. He was named factory director in 1806, retiring two decades later. His rare works are highly coveted by collectors today.

In 1862 (sometimes 1858 is cited), Raffaello Fanciullacci (1803-1881), another former Ginori factory director, established his own pottery in nearby Capraia Fiorentino: Ceramiche Capraia. The new company initially produced simple, utilitarian wares. Raffaello was joined by his son Demetrio in the late 1870s, and subsequently by Demetrio’s four sons. By 1880, the pottery officially became FRATELLI FANCIULLACCI, i.e., the Bros. Fanciullacci.

In 1911, with the arrival of the Florence-Pisa railroad, operations moved from Capraia to nearby Montelupo. The new line provided easy, inexpensive transport to vital Italian cities, and the relocation was such a boon that, by 1914, the company had over 1,000 different molds. FANCIULLACCI’s offerings were among Italy’s most appealing, and the pottery became the area’s largest employer.

During the remaining decades of the first half of the 20th century, the firm slowly branched into a rich repertoire of artistic products; the golden age for FRATELLI FANCIULLACCI blossomed. The family famously stayed in sync with the pulse of both Italian and American (their main export destination) consumers. Work was produced almost immediately in the latest styles: Raffaellesco, Istoriati, Art Deco, Art Nouveau, Futurism, Cubism, Modernism, and Avant-Garde.

FRATELLI FANCIULLACCI was one of the few ceramics factories able to operate throughout WWII. At war’s end, Colorificio, parent company of Bitossi Ceramiche, assumed control, though the family ran the business with little oversight. By the late 1950s, work was back up to full speed, and new international markets soon accounted for 90 percent of production.

Disaster struck on November 4, 1966, with a major flood of the Arno—the worst in over 400 years. It resulted in many deaths and the loss of countless art treasures and manuscripts. FRATELLI FANCIULLACCI was hard hit: priceless molds (some dating to its founding), all kilns, raw clay, and finished export stockpiles were destroyed. The company shut down for over a year, and many talented artists and craftsmen left for other work.

Production shifted to a temporary Florence plant while the Montelupo site was renovated. However, both output and quality suffered dramatically. FRATELLI FANCIULLACCI attempted to reestablish itself but never regained its former success. The company ceased all operations in 1988.


DETAILS

Maker – FRATELLI FANCIULLACCI

Production Period/Year – 1960s

Designer – UNKNOWN

Design Period/Year – 1960s

Origin – ITALY

Styles/Movements – MID-CENTURY MODERN; BOHO CHIC; ITALIAN

Materials – CERAMIC

Colors – KELLY, TAN, WHITE

Condition – Excellent vintage condition. May show minor signs of previous ownership and use.

Dimensions – 5" DIAM. × 11 ½" H

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SKU: 24755560078

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K
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Kyle
Birmingham, US
★★★★★ 5
Perfect for me.
Color: Black, Size: Small
I was a little trepidatious before opening it all up and checking out the holder. I didn't know whether or not the larger remotes I had would fit. How would it work for the bulky / longer TV and Universal Remotes. It worked perfectly. The holder is small enough to use on a small side table next to the couch. And it's very simple to access. The living room now looks like a living room...rather than Radio Shack gone biserk.
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Reviewed in the United States on March 21, 2026
K
Verified Purchase
KimberlyK
Carnegie, US
★★★★★ 5
Very good quality.
Color: Black, Size: Small
So nice to have for keeping my stuff organized. Easier to keep track of my remotes.
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Reviewed in the United States on April 29, 2026
T
Verified Purchase
The Movieman
Grantham, US
★★★★★ 5
Simple but does the job
Color: Black, Size: Small
Simple and does the job. Sturdy as well to hold my remotes.
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Reviewed in the United States on May 25, 2026
M
Verified Purchase
Matthew Vincent
Massapequa, US
★★★★★ 5
Simple and Effective Remote Organization
Color: Black, Size: Small
The Pros: Spacious Design: With five deep pockets, there is plenty of room to store everything from TV and soundbar remotes to reading glasses. Functional and Steady: It sits perfectly on a side table without tipping over. It does exactly what I hoped it would do by keeping all our remotes in one spot. Great Portability: It is lightweight enough to move around easily, which is helpful for keeping things organized while we are on the move. Clean Finish: The material looks professional and blends in well with the furniture without looking like a cheap plastic holder. The Cons: Pocket Depth: One thing to keep in mind is that the pockets are fairly deep. If you have very small remotes, they can slide down a bit far, making them slightly trickier to grab quickly. Bottom Line: This is a straightforward, no-fuss solution if you are tired of losing remotes in the couch cushions. It is well-made, looks good, and simply works. I would definitely recommend it to anyone looking to declutter their living space.
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Reviewed in the United States on May 12, 2026
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jodi
Phoenix, US
★★★★★ 5
Nice look, perfect size and great price!
Color: Black, Size: Small
Absolutely perfect for 5 remotes. The bins are deep and very wide. It's a very reasonable price and it's compact size fits in smaller spaces so it doesn't take up a lot of room. Also, you can't beat the price and genuine leather. Good in any room.
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Reviewed in the United States on March 27, 2026

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